Eric K. Yue is an interdisciplinary artist and filmmaker born and raised in New York City.

He began his career directing music videos with emerging musicians such as Kelela, Okaykaya, Ratking and was named by Vice Magazine one of the “Five Directors Shaping the Future of Music Videos”. He has screened his narrative and installation work at Tate Modern, Athens Film and Video Festival, New York Art and Residency Studios, David Nolan Gallery NY, Cinefamily Los Angeles, San Diego Asian Film Festival where he won “Best Short Film”.

His body of work as a Cinematographer includes four feature films The Giant (dir: David Raboy TIFF 2019), Sundance-Jury-Prize Winner A Thousand and One (dir: A.V. Rockwell, Sundance 2023), A24’s highly anticipated I Saw The TV Glow by trans-director Jane Schoenbrun, and Atropia (in post-production) directed by Hailey Benton Gates and produced by Luca Guadanino.

His recent short form work include films by Micaela Durand and Daniel Chew 38 (New York Film Festival 2021) and Negative Two (Rotterdam 2019) which can currently be viewed on the Criterion Channel. His work extends outside of the cinema context, working a longside artist Ian Cheng on his animated film Life After BOB and two video works for artist Josh Kline’s Whitney Museum mid-career retrospective. He has also worked with Dutch-avant-garde director Ivo Van Hove on his 2020 adaptation of the Broadway play West Side Story produced by Scott Rudin. Throughout the past 5 years, Eric has also worked with musician and composer Dan Lopatin on three music videos for the musical act Oneohtrix Point Never. His commercial clients as a cinematographer include global campaigns for Prada, Gucci, Dior, Louis Vuitton, and Miu Miu.

He received his BFA in filmmaking from New York University Tisch School of the Arts and MFA in Fine Art at University of Pennsylvania where he will be a Visiting Artist this fall.

Instagram: @enriqueyue